Audio Software

The latest experimental Techno EP by Akaroid is now available as an extended bundle! Whether you're an avid listener curious to peek behind the curtains or a producer looking to expand your toolbox, this bundle has everything you need. Alongside high-quality MP3 and lossless WAV files, it includes stem tracks for each song, allowing you to dissect, slice, remix, or even practice mastering. Additionally, I've curated 29 samples covering kicks, hi-hats, synth stabs, and effects in 16-bit/44.1kHz WAV format—perfect for loading into your favorite software or hardware sampler.The Bundle Includes: High quality MP3s (VBR V0)Lossless WavsStem tracks of all 4 songs (4 stems per track: drums, bass, leads and extras)29 hand-picked samples in 44.1khz/16bit Wav format

Get all Max For Live devices by Ternär Music Technology! Including:AtomizerFrenchPumpRetroSamplerRetroSampler ProFlechtwerkFlechtwerk ProTriplexMachinesDucklingHatsterHatster ProBitEchoBitEcho ProCombineDmmGDmmG ProMeckiChannelStripChannelStrip ProChannelStrip Pro MEModular Drum SamplesBrick A Leg BundleWhich would be a total of 180€ Buy everything now and get a discount of 30%!

Triplex is a retro FM synthesizer with highly specialized macro controls that makes it easy to set up without any tedious programming. Triplex Machines come in three flavors: Classic, Kicker and Snapper. Triplex Classic: Classic FM synth playable like a subtractive synth! Comes with macro controls over harmonic, frequency modulation, bit-/phase reduction, attack, decay/release and sustain. Triplex Kicker: FM synth specialized in kick and tom sounds with macro controls over stiffness, impact, filter, attack, tail and body.Triplex Snapper: FM synth specialized in hihat and snare sounds with macro controls over detune, surface, rattle, attack, decay and sustain. All three machines also come with an integrated overdrive, a toggle to reset the phase, up to 8 voices of polyphony and a output volume control.Runs with Ableton Live 11 on 64bit Mac (Intel/Apple Silicon) or Windows systems.

A simple ducker device that can be triggered via MIDI. Just drop it on a track that should be ducked, select a MIDI track to trigger it and adjust the envelope to taste. Please consider dropping a couple of bucks to help fund future development. You make all the difference! 💖Tested with Live 11.3.2 and Max 8.5.4

Inspired by an infamous hardware compressor used by French house artists, FrenchPump seeks to recreate the famous pumping sound that gave countless records its signature sound. Besides controls common to other limiters, it features an integrated filter circuit that follows the detected envelope to achieve similar results to the original device. Features:Limiter/compressor with attack, release and threshold controlsIntegrated low pass filter with adjustable frequency and control over frequency dip amountSoft clipper at the end of the signal chainLinkable gain and volume controls to compensate volume changesGain reduction visualizerSidechain input control with gain and highpass filterChangelog:Version 1.1.2:fixed a bug where control labels weren't visible on certain themesVersion 1.1.1:recompiled/repackaged device to remedy faulty audio output on some systemsVersion 1.1.0:Added control over sidechain input and its input gainAdded control over highpass filter of the sidechain inputVersion 1.0.0:Initial release

Inspired by a famous 8-Bit distortion guitar pedal, Atomizer builds upon the idea of using lookup tables for waveshaping. The input signal is converted to 8-Bit and then remapped to the selected wave resulting in rich and complex distortion. The wavetable itself is organized in an 8x8 matrix making it possible to seamlessly scan through the waves with the XY control or the integrated LFO, resulting in morphing waves reminiscent of wavetable synthesizers. Besides normal stereo operation, Atomizer is also capable to turn mono into stereo signals by introducing a small offset in the selected wavetable between the left and right channels. Atomizer comes prepackaged with a selection of wavetables. More can be found on www.waveeditonline.com. While it is designed to work with banks of 64 waveforms with a wave length of 256, any sample can be loaded into the device but will be truncated to one channel and 16384 samples. To try it out, get the demo version of Atomizer. Features:Wavetable Waveshaper supporting banks of 64 waveforms with a wave length of 256XY Control or LFO to scan through wavetablesSeamless morphing between wavesLFO with 6 shapes (sine, triangle, ramp up, ramp down, rectangle, random), phase control and beat syncStereo spread controlLow pass filter to tame high frequency contentGain, Dry/Wet and Volume controls

Inspired by a famous 8-Bit distortion guitar pedal, Atomizer builds upon the idea of using lookup tables for waveshaping. The input signal is converted to 8-Bit and then remapped to the selected wave resulting in rich and complex distortion. The wavetable itself is organized in an 8x8 matrix making it possible to seamlessly scan through the waves with the XY control or the integrated LFO, resulting in morphing waves reminiscent of wavetable synthesizers. Besides normal stereo operation, Atomizer is also capable to turn mono into stereo signals by introducing a small offset in the selected wavetable between the left and right channels. Atomizer comes prepackaged with a selection of wavetables. More can be found on www.waveeditonline.com. While it is designed to work with banks of 64 waveforms with a wave length of 256, any sample can be loaded into the device but will be truncated to one channel and 16384 samples. Here you can find the full version of Atomizer.Features:Wavetable Waveshaper supporting banks of 64 waveforms with a wave length of 256XY Control or LFO to scan through wavetablesSeamless morphing between wavesLFO with 6 shapes (sine, triangle, ramp up, ramp down, rectangle, random), phase control and beat syncStereo spread controlLow pass filter to tame high frequency contentGain, Dry/Wet and Volume controls

In commemoration of Mutable Instruments' amazing Eurorack modules I give to you Flechtwerk: a clone of MI's multifaceted synthesizer Plaits whose code not only found its way into the Arturia Microfreak but also into countless Eurorack clones over the years. It is a macro-oscillator with 16 unique synthesizer models each controllable with 3 macro controls: Harmonics, Timbre and Morph. Flechtwerk makes use of Plaits' integrated LPG envelope generator but also gives you the option to only output the raw signal which you can then pair with the VCA/VCF combos DmmG/DmmG Pro to give you a full ADSR envelope, lowpass/highpass/bandpass/notch filters and flexible trigger routing for a modular experience inside of Ableton Live. Besides all of the basic features of the original module, Flechtwerk Pro gives you 8 voices of polyphony, LFO with 5 different shapes and an integrated step sequencer to modulate the selected synthesizer model. To try it out, download the the free basic version Flechtwerk.Flechtwerk makes use of open-source code by Émilie Gillet, using the latest Plaits firmware 1.2. Runs on 64bit Windows and Mac (Intel+Apple Silicon) systems. To learn more about the different synthesizer models of Plaits, please consult the official manual. Changelog:Version 1.4:Added experimental support for the 8 extra synthesis models introduced in firmware 1.2 (accessible via the small button labeled "S" next to the output Dropdown)Version 1.3:Completely rewritten Plaits max external with latest (and last) firmware 1.2Version 1.3b:Fix to make it work with Live 11.3.4Version 1.2:Fixed a bug where presets would not recall correctlyVersion 1.1:Fixed LFO shape dropdown menuFixed LFO phase controlFixed output dropdown labelVersion 1.0:Initial release

In commemoration of Mutable Instruments' amazing Eurorack modules I give to you Flechtwerk: a clone of MI's multifaceted synthesizer Plaits whose code not only found its way into the Arturia Microfreak but also into countless Eurorack clones over the years. It is a macro-oscillator with 16 unique synthesizer models each controllable with 3 macro controls: Harmonics, Timbre and Morph. Flechtwerk makes use of Plaits' integrated LPG envelope generator but also gives you the option to only output the raw signal which you can then pair with the VCA/VCF combos DmmG/DmmG Pro to give you a full ADSR envelope, lowpass/highpass/bandpass/notch filters and flexible trigger routing for a modular experience inside of Ableton Live. While Flechtwerk gives you all the basic features of the original module, I also offer a more advanced version called Flechtwerk Pro which gives you 8 voices of polyphony, LFO with 5 different shapes and an integrated step sequencer to modulate the selected synthesizer model. Flechtwerk makes use of open-source code by Émilie Gillet, using the latest Plaits firmware 1.2. To learn more about the different synthesizer models of Plaits, please consult the official manual. Runs on 64bit Windows and Mac (Intel+Apple Silicon) systems. Minimum required Live version is 11.3. Changelog:Version 1.4:Added experimental support for the 8 extra synthesis models introduced in firmware 1.2 (accessible via the small button labeled "S" next to the output Dropdown)Version 1.3:Completely rewritten Plaits max external with latest (and last) firmware 1.2Version 1.0:Initial release

DmmG Pro is an advanced digital multi-mode gate audio effect for Ableton Live 11. A full ADSR envelope can be triggered with an external MIDI track to open the integrated VCA and/or VCF, making it possible to play the audio track like a subtractive synthesizer. Other applications of such a modular building block are advanced sound design or audio repair.DmmG Pro was inspired by Vactrol filters/VCAs for modular synthesizers which are known for their natural and fluid character. While this device makes no effort into being an modeled analog effect, great efforts were taken to fine-tune the envelope curves and to select a filter design with loads of character. To try out some of the features, get the free basic version DmmG.Features:Digital multi-mode gate audio effect with highpass, lowpass, bandpass and notch filters including control over resonance, resonance edge, drive and frequency inversionToggles to add/remove the VCA and VCF from the signal chainVelocity sensitive ADSR envelope with logarithmic responseSelectable external MIDI track to trigger the integrated evelopeSystem Requirements:Mac or Windows System with Ableton Live 11

DmmG is a digital multi-mode gate audio effect for Ableton Live 11. A logarithmic A/D envelope can be triggered with an external MIDI track to open the integrated VCA and VCF, making it possible to play the audio track like a subtractive synthesizer. Other applications of such a modular building block are advanced sound design or audio repair.DmmG was inspired by Vactrol filters/VCAs for modular synthesizers which are known for their natural and fluid character. While this device makes no effort in being an modeled analog effect, great efforts were taken to fine-tune the envelope curves and to select a filter design with loads of character. There's also an advanced version with more features called DmmG Pro.Features:Digital multi-mode gate audio effect with highpass and lowpass filtersVelocity sensitive A/D envelope with logarithmic responseSelectable external MIDI track to trigger the integrated evelopeSystem Requirements:Mac or Windows System with Ableton Live 11

Mecki is a virtual analog preamp modeled after famous cheap mixing desks from the 90s which were a staple in Techno sound design - especially for overdriving kick drums. The iconic sound is now available, for free, as a Max for Live device for Mac and Windows systems.Features:Oversampled, modeled 90s analog preampLow and high shelving equalizersMecki makes use of MIT licensed open-source code by Chris Johnson ported to Max/MSP. This is NOT A WRAPPER but a complete port of the original source code. A donation helps efforts porting his amazing plugins to Max/MSP and building cross-platform Max externals. My work can now be tracked in this public Github repository.

RetroSampler Pro is a lo-fi sample player inspired by hardware samplers of the 90s. It features adjustable sample and bit rates, clock jitter control, low pass filter with drive control and an integrated ADSR envelope. Lowering the sample rate will introduce the sought-after "ringing" effect found in older samplers which is not just a simple decimation effect: the resampling algorithm accurately follows the transposed pitch without interpolation.The sound can further be manipulated with 3 independent LFOs and 9 possible destination.To try some its features, get the free basic version RetroSampler.Features:Sample playback of mono and stereo wav filesAdjustable sample and bit rates (ulaw companded) with clock jitter and imaging filter controlCoarse and fine control over the sample's pitchCoarse and fine control over the start and end points of the sampleSamples can be looped and freely run without phase reset when unchecking the sync buttonModeled digital sampler filter with drive, resonance and edge controls. Lowpass, highpass, bandpass and notch filters availableGenuine envelope generator design: a linear envelope with additional segments to mimic exponential/logarithmic slopes3 independent LFOs with 9 possible destinationsRuns on 64bit Windows and Mac (Intel+Apple Silicon) systems. Changelog:Version 2.2Completely rewritten sampler core in C++ to optimize load times, CPU usage and file footprintNew genuine envelope generator: a linear envelope with additional segments to mimic exponential/logarithmic slopesAdditional envelope to modulate the filter frequencyPolyphony with up to 8 voicesVersion 2.1b:Fixed wrong envelope time calculations due to downsamplingAdded polyphony with up to 8 voices (experimental)Version 2.0:Initial release

ChannnelStrip Pro is a modeled tube preamp with high-/lowpass filters, 3 band EQ, compressor and oscilloscope for Ableton Live 11.Controlling dynamics with saturation is an often overlooked technique in music production. ChannelStrip Pro is intended as an end-of-chain effect with smooth modeled tube saturation combined with an oscilloscope to monitor how the waveform is compressed. The integrated 3-band equalizer will furthermore help you apply gentle, unobtrusive tone-shaping, while the compressor will give you even more options for envelope-shaping. A safety clipper at the end of the signal chain protects against overshooting peaks.Included with this purchase is the mastering edition ChannelStrip Pro ME which has the same features as the standard edition while being massively oversampled, making it ideal for mastering situations (beware, it's a total CPU hog!). Even as a simple distortion effect, equalizer or compressor, ChannelStrip will make a great addition to Ableton's stock plugins.To try some of the features, get the free basic version ChannelStrip.Features:Oversampled modeled tube saturation with character controlHigh-/lowpass filters with gentle slopeUnobtrusive 3-band equalizer with adjustable crossover-frequenciesCompressor with adjustable attack and release ratesSafety-clipper at the outputOscilloscope with adjustable sample-sizeRuns with Ableton Live 11 on 64bit Mac (Intel/Apple Silicon) or Windows systems.Changelog:Version 1.2added missing Apple Silicon binariesVersion 1.1optimized CPU utilization (load approximately cut in half!)smaller device file footprintVersion 1.0initial release

ChannnelStrip is a modeled tube preamp with 3 band EQ and oscilloscope for Ableton Live 11.Controlling dynamics with saturation is an often overlooked technique in music production. ChannelStrip is intended as an end-of-chain effect giving you smooth modeled tube saturation combined with an oscilloscope to monitor how the waveform is compressed. The integrated 3-band equalizer will furthermore help you apply gentle, unobtrusive tone-shaping. Even as a simple distortion effect or equalizer, ChannelStrip will make a great addition to Ableton's stock plugins.There's also an advanced version with more features called ChannelStrip Pro.Features:Oversampled modeled tube saturation with character controlGentle 3-band equalizerOscilloscope with adjustable sample-sizeRuns with Ableton Live 11 on 64bit Mac (Intel/Apple Silicon) or Windows systems.Changelog:Version 1.2added missing Apple Silicon binariesVersion 1.1optimized CPU utilization (load approximately cut in half!)smaller device file footprintVersion 1.0initial release

Triplex Snapper is a percussive synthesizer VST3 plugin made especially to produce sounds like snare drums, wooden blocks, metal plates, hihats, crashes and all the in-betweens, while using the same crunchy, yet punchy retro FM synthesizer engine known from Triplex Classic and Triplex Kicker. The 6 macro controls have been set up in a way to easily morph between different shapes and materials:With "surface" you control the stiffness of the material."Detune" lets you tune the second drumhead/cymbal against the fundamental.And with "blend" you can mix between the pure drumhead sound and the drum wire or cymbal sounds.The envelope can then be manipulated with the attack, combined decay/release and sustain controls. To top it off you can of course bend the drum in impossible ways with the integrated LFO.To get the full version, go to the Triplex Snapper page.

Triplex Snapper is a percussive synthesizer VST3 plugin made especially to produce sounds like snare drums, wooden blocks, metal plates, hihats, crashes and all the in-betweens, while using the same crunchy, yet punchy retro FM synthesizer engine known from Triplex Classic and Triplex Kicker. The 6 macro controls have been set up in a way to easily morph between different shapes and materials:With "surface" you control the stiffness of the material."Detune" lets you tune the second drumhead/cymbal against the fundamental.And with "blend" you can mix between the pure drumhead sound and the drum wire or cymbal sounds.The envelope can then be manipulated with the attack, combined decay/release and sustain controls. To top it off you can of course bend the drum in impossible ways with the integrated LFO.To try it out, get the Triplex Snapper Demo.

Combine is an esoteric sequencer implementing techniques common to modular synthesizers. It consists of a master device with separate pitch, octave, velocity and duration sequencers whose output is send to all slave devices in the project. Here those free-running sequences will be combined when an activated step is hit resulting in an inter-connected meta composition.Features:Master device with separate sequencers for pitch, octave, velocity and durationGlobal control over root note and scaleA range of selectable pentatonic scalesClock divider and length control for all sequencersSlave device with 8-step sequencer, chance per step and transposition controlUnlimited number of slave devices per projectChord generator with up to 4 notes and spread controlSwitches to locally toggle master sequencesNote and velocity monitorNo midi routing necessaryUsage:Place one (just one!) master device anywhere in your project and set up a sequenceUse as many slave devices as you want to sequence your instruments. No Midi routing necessary.Success!Known issues:Slave device can be out of sync when it is added while the Ableton live set is running. Just restart the transport and everything is back in sync again. Adding a second master device will break the inter-device communication

Synthesize massive kicks and thumping toms with the Triplex retro FM engine! Triplex Kicker is a 3 operator FM synth specializing in kick and tom sounds. The sound can easily be manipulated with 6 simple controls and the unique integrated envelope generator shapes the sound in a way that makes it sound like a perfectly compressed kick. Use the filter to do DJ-style highpass filtering, the LFO for experimental shape-shifting tom sounds and top it all off with a dash of soft clipping with the drive control.To get the full version, go to the Triplex Kicker pageFeatures:3 operator FM synth engine with up to 8 voicesMacro controls over pitch envelope amount, pitch envelope decay, DJ-style highpass filter, attack, tail and "body"Sine wave LFO with shape control (sine, triangle, ramp up, ramp down, square, random) and user-definable destinationDrive controlDemo version will periodically output noiseChangelog:Version 0.3.2Maintenance updateVersion 0.3.1Fixed a bug where the plugin would sometimes not output audio after instantiationVersion 0.3.0Initial release

Synthesize massive kicks and thumping toms with the Triplex retro FM engine! Triplex Kicker is a 3 operator FM synth specializing in kick and tom sounds. The sound can easily be manipulated with 6 simple controls and the unique integrated envelope generator shapes the sound in a way that makes it sound like a perfectly compressed kick. Use the filter to do DJ-style highpass filtering, the LFO for experimental shape-shifting tom sounds and top it all off with a dash of soft clipping with the drive control.To try it out, get the Triplex Kicker Demo.Features:3 operator FM synth engine with up to 8 voicesMacro controls over pitch envelope amount, pitch envelope decay, DJ-style highpass filter, attack, tail and "body"Sine wave LFO with shape control (sine, triangle, ramp up, ramp down, square, random) and user-definable destinationDrive controlChangelog:Version 0.3.2Removed copy protection!Maintenance updatesVersion 0.3.1Fixed a bug where the plugin would sometimes not output audio after instantiationVersion 0.3.0Initial release

Thumping techno kicks at your fingertips! Kickster is a 4 operator FM synth specializing in kick sounds. The "boom" and "click" parts of the sound can easily be manipulated with 6 simple controls and the unique integrated envelope generator shapes the sound in a way that makes it sound like a perfectly compressed kick. While Kickster is optimized for short, snappy kicks to give room for other sounds in the arrangement, the kick tail can still be made longer, making it perfect for experimentations as well.To try it out, get the Kickster Demo Version.

Classic FM sounds with a modern twist! Triplex Classic takes inspiration from famous digital synthesizers of the 80s and puts them in an easy-to-use, accessible interface. The synth engine was developed from the ground up to facilitate sounds ranging from pristine modern FM sounds to crunchy bit-crushed mayhem - with everything in between. To get the full version, go to the Triplex Classic page.Features:3 operator FM synth engine with up to 8 voicesMacro controls over FM amount, harmonicity, phase and bit resolution (labeled "redux"), attack, combined decay/release and sustainSine wave LFO with shape control (sine, triangle, ramp up, ramp down, square, random) and user-definable destinationChorusDrive controlChangelog:Version 0.3.2Maintenance updateVersion 0.3.1Fixed a bug where the plugin would sometimes not output audio after instantiationVersion 0.3.0Added LFO shape controlAdded dropdown to select number of voicesVersion 0.2.0Added LFO waveform displayUpdated output filtering: filter frequency is now lowered as you move the Redux knob to the rightAdded drive control to internally overdrive the circuitSample-accurate timing of notesSigned and notarized Mac package and binariesFixed crashing at high sampleratesFixed crashing when changing samplerate mid sessionVersion 0.1.1Added settings menuVersion 0.1.0Initial releaseInstallation Instructions:Windows: Extract the downloaded zip and place the VST to C:\Program Files\Common Files\VST3Mac: Run the downloaded pkg file, which will place the VST in /Library/Audio/Plug-ins/VST3

Classic FM sounds with a modern twist! Triplex Classic takes inspiration from famous digital synthesizers of the 80s and puts them in an easy-to-use, accessible interface. The synth engine was developed from the ground up to facilitate sounds ranging from pristine modern FM sounds to crunchy bit-crushed mayhem - with everything in between. To try it out, get the Triplex Classic Demo.Features:3 operator FM synth engine with up to 8 voicesMacro controls over FM amount, harmonicity, phase and bit resolution (labeled "redux"), attack, combined decay/release and sustainLFO with shape control (sine, triangle, ramp up, ramp down, square, random) and user-definable destinationChorusDrive controlChangelog:Version 0.3.2Removed copy protection!Maintenance updatesVersion 0.3.1Fixed a bug where the plugin would sometimes not output audio after instantiationVersion 0.3.0Added LFO shape controlAdded dropdown to select number of voicesVersion 0.2.0Added LFO waveform displayUpdated output filtering: filter frequency is now lowered as you move the Redux knob to the rightAdded drive control to internally overdrive the circuitSample-accurate timing of notesSigned and notarized Mac package and binariesFixed crashing at high sampleratesFixed crashing when changing samplerate mid sessionVersion 0.1.1Added settings menuVersion 0.1.0Initial releaseInstallation Instructions:Windows: Extract the downloaded zip and place the VST to C:\Program Files\Common Files\VST3Mac: Run the downloaded pkg file, which will place the VST in /Library/Audio/Plug-ins/VST3Open your DAW, insert an instance of the plugin and open the settings menu in the upper right corner of Triplex Classic. Enter the serial provided with the email of Gumroad and reload the plugin.

22 drum samples made with a modular synthesizer, recorded through an early 80s mixing desk and analog compressor into high quality converters. Samples are wav files with 44,1 khz/16 bit resolution. Includes kick, snare, open/closed hihat, clap, crash, tom and metal samples.

RetroSampler is a lo-fi sample player inspired by hardware samplers of the 90s. It features adjustable sample and bit rate, clock jitter control, low pass filter with drive control and a integrated ADSR envelope. Lowering the sample rate will introduce the sought-after "ringing" effect found in older samplers which is not just a simple decimation effect: the resampling algorithm accurately follows the transposed pitch without interpolation.There's also a full version with more features called RetroSampler Pro.Changelog:Version 2.2Completely rewritten sampler core in C++ to optimize load times, CPU usage and file footprintNew genuine envelope generator: a linear envelope with additional segments to mimic exponential/logarithmic slopesVersion 2.0Updated resampling algorithm Updated clock jitter algorithmAdded Imaging filterBit reduction now uses uLaw compandingNew filter design with drive controlFull ADSR envelopeVersion 1.01Updated resampling algorithm with proper anti-aliasingVersion 1.0Initial releaseRuns on 64bit Windows and Mac (Intel+Apple Silicon) systems.

BitEcho is an 80s inspired, modeled digital hardware delay with "pristine" 12 bit/33 khz sample resolution and 1 second delay time. The resolution can be brought further down from brittle, digital artifacts to absolute bit crushed mayhem. Inputs and outputs are clipping protected (which means that they can distort - just like a hardware device) and the delay time is gently modulated for subtle variations and stereo widening. The pro version features a triangle LFO for modulating the delay time, separate controls for bit and sample rate resolution, the ability to sync the delay to the host's tempo and a ping-pong delay option. To try some of the features, get the free basic version BitEcho.Changelog:Version 1.02Updated resampling algorithm with proper anti-aliasingFixed the initial sync state Version 1.01 Updated UI: will visually fit better between stock devices and also changes its colors according to the selected theme.Fixed control descriptionsVersion 1.0Initial release

BitEcho is an 80s inspired, modeled digital hardware delay with "pristine" 12 bit/33 khz sample resolution and 1 second delay time. The resolution can be brought further down from brittle, digital artifacts to absolute bit crushed mayhem. Inputs and outputs are clipping protected (which means that they can distort - just like a hardware device) and the delay time is gently modulated for subtle variations and stereo widening. The pro version BitEcho Pro also features a triangle LFO for modulating the delay time, separate controls for bit and sample rate resolution, the ability to sync the delay to the host's tempo and a ping-pong delay option. Changelog:Version 1.02Updated resampling algorithm with proper anti-alisingUpdated range of the resolution controlVersion 1.01 Updated UI: will visually fit better between stock devices and also changes its colors according to the selected theme.Version 1.0Initial release

Hatster is a unique Hihat synthesizer for M4L with modeled LPG filter/vca behavior and LFO modulation over all parameters. Inspired by modular synthesizers, the noise oscillator core is fed into a modeled LPG filter/vca design which reacts uniquely to each incoming hit - especially when velocity is introduced. All parameters can be modulated with separate integrated sine wave LFOs for even more variation.The Pro version also features 3 distinct noise oscillators, the ability to sync the LFOs to the host's tempo, set different LFO shapes and set the LFO's phase alignment. Furthermore, the attack and decay phases can be set to linear, exponential or logarithmic shapes. To try some of the features, get the free basic version Hatster.Changelog:Version 1.11Fixed dynamic device backgroundVersion 1.1 Updated UI: will visually fit better between stock devices and also changes its colors according to the selected theme while keeping the signature look intact.Completely rewritten LFO in Max gen~ which fixes issues when changing the phase.Adjustable high pass filter at the output to remove unwanted low frequencies.3 selectable noise oscillators: white noise, pink noise and Ternär noise. The latter is a pseudo-random noise generator of original design with adjustable seed, frequency and resolution parameters.Version 1.0Initial release

Hatster is a unique Hihat synthesizer for M4L with modeled LPG filter/vca behavior and LFO modulation over all parameters. Inspired by modular synthesizers, the noise oscillator core is fed into a modeled LPG filter/vca design which reacts uniquely to each incoming hit - especially when velocity is introduced. All parameters can be modulated with separate integrated sine wave LFOs for even more variation.The pro version Hatster Pro also features 3 distinct noise oscillators, the ability to sync the LFOs to the host's tempo, set different LFO shapes and set the LFO's phase alignment. Furthermore, the attack and decay phases can be set to linear, exponential or logarithmic shapes.Changelog:Version 1.11Fixed dynamic device backgroundVersion 1.1 Updated UI: will visually fit better between stock devices and also changes its colors according to the selected theme.Version 1.0Initial release